Kawita Vatanajyankur

Kawita Vatanajyankur is a Thai-Australian video artist born in 1988 in Bangkok. In 2011, she obtained her Bachelor of Fine Arts degree from RMIT University, Melbourne, establishing a solid foundation for her career as a video artist. 

Kawita Vatanajyankur's Art Style

In her performative artworks, such as "Scale of Injustice" (2021), "Dyeing Machine" (2021), and "The Sickle" (2020), Kawita Vatanajyankur fearlessly explores themes of labor, feminism, oppression, and consumerism by transforming her body into a powerful site of interrogation and challenge. Through repetitive and strenuous tasks, she pushes her body to its limits, embodying both mechanical tools and domestic objects, thus exposing the resilience and capabilities of women.

Drawing from a globalized visual language of consumption and instant gratification, Vatanajyankur's videos exude boldness and vibrant colors reminiscent of commercial advertisements. However, her work diverges from these aesthetics through moments of physical and emotional discomfort. The result is a compelling yet uncomfortable viewing experience.

Recognition and Career of Kawita Vatanajyankur

Kawita Vatanajyankur has achieved widespread recognition, exhibiting her work extensively across Australia, Asia, the USA, and Europe. Her artworks are held in prestigious collections worldwide, including the National Collection of Thailand, the Singapore Art Museum, and the Dunedin Public Art Gallery. She is represented by NOVA CONTEMPORARY in Bangkok and Antidote Organisation in Australia.