Mathias Pfund

Born in 1992, he lives and works between Geneva and Brussels. He is interested in the (re)circulation of signs that produce meaning in specific contexts of intervention. Using a case study approach, he pays particular attention to the traceability of images: their origins, their various generations, their copies, and modalities of appearance. He also seek to examine the representations of art and the various ideologies and authorities that underlie them. As such, art in the public space and in museums are among his favorite subjects. His work is often accompanied by historiographical research, which is occasionally published.